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Singer Richard Butler's gritty baritone and John Ashton's noisy guitar howl are the two elements that define the sound on Talk Talk Talk that I really feel that the Furs tried hard to capture again and again only with varying success after this record. Their later efforts become much smoother and pop-laden; losing the tension that this album is filled with. I put Richard Butler in my top five list of all-time favorite singers. I have tried to mimic his sound without adding a fake English accent as I am in the same register if not deeper. He has that scratchy sound first heard on blues records that scores of people have imitated over the years. Yet, his is laced with punk anger and his accent gives it a whole different level of claustrophobia.
John Ashton's guitar wailing is splattered all over this record. He created tons of texture with jagged soft/loud juxtaposition and clever use of effects without sounding over-done. I can draw a pretty direct line from his playing here and the cacophony of bands like Sonic Youth who mined similar territory albeit with far more brutality.
Talk Talk Talk is one of my go to albums for its melancholy feel. I do not think it is depressing; rather it becomes a foil for me when I am feeling down, insecure or confused. At the same time it has a very sexual feel too with the tension that abounds. It overall yells about issues, but more to a mirror than to everyone else. It is an inward-looking anger as opposed to the outward screaming that characterized the first punk efforts by bands like the The Sex Pistols and The Clash. Many Joy Division fans also seem to like the Furs, but the Furs were always more "poppy" and more accessible. So get mad, but keep it to yourself and give this a listen.
1 comment:
Same deal different year. Can you imagine being Punk in Lynchburg, Va in 1977. I’ve been considered the Anti-Christ for a long time and by more powerful Christians than Eno.
It ain’t easy being off the front but then rock-n-roll isn’t about following the crowd is it.
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